Tag Archive for: cartoon

Bosch Fawstin on his ‘Drawing of Muhammad’

Join us in this fascinating conversation with artist Bosch Fawstin, winner of the Inaugural Muhammad Art Exhibit in Garland Texas, May 3, 2015.

If you never heard of Bosch and his gripping aggressive writing and drawing until the Islamic State attack in Texas, after watching this show you will want to know more about Bosch and his groundbreaking work. Fawstin, a former Muslim, has the bona fides to critique Islam from the inside and the artistic talent to illustrate the inconsistencies and absurdity of Islamic prohibitions against even non-Muslims drawing a picture of Muhammad, Moses or Jesus!

An added benefit to this discussion is that both Bosch and I share some of our personal experiences in this show about being under attack at the Culwell Convention Center by Muslim terrorists…who are now dead.

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Meet the bravest woman in America

The Muhammad Art Exhibit and Cartoon Contest that Pamela Geller and I organized and hosted in Garland, Texas on May 3, along with the jihad attack upon it, has become a defining issue. It has led to a national conversation about the nature of the freedom of speech, its importance, and what should or should not be its limits. It has exposed many people who appeared to be strong defenders of freedom to be cowards and appeasers. It has revealed that many key media players and people in powerful positions of authority have no idea of the nature and magnitude of the jihad threat, and no awareness of the war on free speech — much less any understanding of why the freedom of speech matters at all. It has demonstrated that many important opinion-makers neither appreciate nor value the freedom of speech, and don’t even really grasp what it is. It has likewise revealed others to be unexpectedly strong defenders of freedom. Some people I had thought were strong-minded and open-eyed have proved to be cowardly and blinkered. Other people I had suspected were trimmers and appeasers have shone brightly in their honesty and courage on this issue.

Those who have defended free speech in the wake of the jihad attack while heaping scorn upon Pamela Geller, and those who have fastidiously tried to protect themselves from the Left’s inevitable guilt-by-association smears by throwing in a line like, “Now mind you, I don’t agree with everything Pamela Geller says,” or “Now of course Pamela Geller’s approach is not something I agree with” or some such, quite simply disgust me. Pamela Geller has more clear-sighted awareness of the threat this nation faces, and more courage and resoluteness in facing it, thananyone in America today — especially those who are sitting in their armchairs today and sniffing at her for being “outrageous” and “provocative” while she has to live the rest of her life knowing that at any moment some jihadi maniac will try to get to his virgins by killing her. Yet people are acting these days as if she was the one with the AK-47 outside our event, or as if there would be no jihad threat against America were it not for her and for our Muhammad cartoon contest.

They won’t be able to keep up this denial much longer. It simply won’t be possible. The Islamic State has issued a detailed manual for jihad terror attacks and regular bloodshed in the streets of the United States and the nations of Western Europe. That is coming. To cower and say, “We won’t draw cartoons, we won’t do anything to offend you” not only will not stop this from coming, but it will embolden the jihadis, who always step up their game when they see weakness in their prey.

They see weakness in the U.S. That’s because the U.S. is weak. Not militarily, but societally. Culturally. Fewer and fewer people understand and value the principles upon which a free society is based. Fewer and fewer people are willing to stand to defend those principles. Cowards, trimmers, appeasers and open allies of the enemies of freedom abound.

Pamela Geller is standing for freedoms upon which the free world depends. That so few of power and influence are standing with her shows how severe the crisis really is.

These days are revealing many who were thought to be true to be false, and many who were thought to be false to be true. As a defender of freedom, Pamela Geller is the truest of the true. It is my immense honor to work with her, and to call her my friend.

“Meet the bravest woman in America,” by Joseph Farah, WND, May 15, 2015:

She’s been caricatured.

She’s been verbally tarred and feathered.

She’s been vilified, reviled, smeared, defamed and disparaged.

But something keeps Pam Geller going. Do you know what it is? It’s her love for her country and her passion for liberty.

For weeks now, I’ve been watching my friend Pam Geller taking media punches from the left and right for her private event in Garland, Texas, featuring Geert Wilders, another freedom fighter – an event attacked by armed jihadists who have determined to “slaughter” Pam Geller for her campaign to expose radical Islam’s vicious worldwide crusade against freedom, against women, against Jews, against Christians, against life and against everything but its own peculiar seventh-century view of the world.

Bill O’Reilly had the audacity to accuse Geller of “spurring” the attack with her event promoting freedom of speech.

Really?

So by criticizing a worldwide movement responsible for the ongoing genocide against Christians in the Middle East, the subjugation of women, a pattern of female genital mutilation, the ruthless beheading and crucifying and burning alive of its victims, she was spurring the attack? She was inviting it? She was goading them? Her motivation was to serve as a catalyst to an attack on her and her event?

Donald Trump said essentially the same thing, as did the New York Times and most of the handwringing media elite.

Others were satisfied to call Geller an Islamophobe.

That’s a good one. That’s rich.

This made-up word denotes someone who fears Islam. That’s hardly the case with Geller. It’s probably much more true of Geller’s most vocal critics, who, I suggest, think they buy cover from the violent Islamic radicals by bashing their enemies.

Join Pamela Geller in her fight to retain free-speech rights and the uniquely American culture — read “Stop The Islamization Of America: A Practical Guide to the Resistance”

Have you ever wondered by so many leftists are soft on Shariah? Leftists say they support everything that Islam detests – “gay rights,” women’s rights, free expression, peace on earth. But they watch tacitly as Islam runs roughshod over their entire agenda. What gives?

Ultimately, it comes down to the left’s ideological commitment to “multiculturalism,” which began as a back-door assault against Western values and morphed into a war with Judeo-Christian ethics, America and Israel. Suddenly, they found common ground with the barbarians who behead anyone doesn’t lie prostrate before Allah five times a day.

Geller is no Islamophobe, a term which suggests cowardice. That’s a laugh. She’s probably the bravest women in America today.

It’s her critics who are the cowards.

Some of them, I am convinced, are even motivated to criticize her because they fear being associated with her strong stand against hatred, against murder, against torture, against rape and against their unholy war. Perhaps they believe they might be spared the kind of abuse and attacks she has experienced by creating a little space between Geller and themselves. Good luck with that! Radical Islam makes no distinctions between courageous enemies and cowardly ones. It doesn’t discriminate in its scorched-earth policies. They even murder Muslims who disagree with them about the chain of command after Muhammad died.

So throw out the Islamophobe term. It has lost its usefulness, if, indeed, it ever had any.

I’m with Pam Geller. I’m no Islamophobe. It’s just that when I see murder and torture and rape and genocide, I feel compelled to speak out about it, to resist it and to call evil what it is. I don’t know any other way. And neither does Pam Geller.

And that’s why I’m proud to call her my friend.

That’s why she’s the bravest woman in America.

And that’s why she needs and deserves the support of all freedom-loving Americans.

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Obama accidentally draws a picture of Mohammed

Most of us have probably seen Obama’s recent video in which he makes faces, poses in front of the mirror, blames himself over cookies, and draws a picture of Michelle Obama.

It is a little known fact, however, that when the President first took the pencil and focused on random visual ideas, he accidentally drew a picture of Mohammed. The filming stopped. The ruined sheet was ripped out of the sketchbook and tossed into the waste basket.

On the second attempt, as Obama sat in front of the blank sheet and tried not to think about Mohammed; his hand moved making random lines, which in the end, taken together, looked like Mohammed. That sheet also went into the waste basket.

Obama draws a picture of Mohammed

On the third, fourth, and fifth attempts Obama kept drawing Mohammed, in spite of his sincere efforts to draw just some random doodle. When on the sixth try Obama drew another picture of Mohammed, he asked for a break. The filming crew and the President had some milk and cookies, chatting about random things, like Tourette syndrome, Freudian slips, Rorschach blots, and obsessive-compulsive behavior exhibited by various random folks.

When, after the break, Obama drew the seventh picture of Mohammed, one of the filmmakers volunteered to draw a different picture for the President. This man was a storyboard artist, and even though he was not a real artist, he could still trace an image from a photograph. The only photograph in the room was that of Michelle Obama, and that’s what the man drew in the President’s sketchbook.

Obama then took the pencil and pretended that he was drawing his wife for the camera, but everyone in the room knew that he didn’t draw that.

A similar story happened with a different scene in the film, in which Obama was directed to try to dip an oversized oatmeal cookie into a narrow glass of milk. According to the script, the cookie wouldn’t fit and Obama was supposed to say sarcastically, “Thanks, Obama!” thereby gently mocking his critics who tend to blame everything on the President.

Instead, Obama kept trying to dip the cookie into the glass over and over for eleven minutes without saying anything. “No, Mr. President,” said the film director. “Try to dip it twice, then say sarcastically, ‘Thanks, Obama!'” The camera started rolling again. Obama tapped the cookie on the rim of the glass and said, “I know, this is Bush’s fault.”

Obama draws a picture of Mohammed

It took seven more takes for the film crew to finally tape the President dipping the cookie correctly while saying the scripted sarcastic words “Thanks, Obama!” instead of blaming Bush and insisting that he inherited this glass of milk from the previous administration.

It was already getting late, so the film director decided to abandon the script and asked the President to simply do random things he usually does when no one can see him. “I like to play air basketball and make faces in front of the mirror. Oh, and I also like to wear sunglasses and pretend to be a cool dude shooting random folks,” said Obama.

Obama draws a picture of Mohammed

And that’s what they did, so the rest of the film was improvised and everyone had a lot of fun doing it.

And now you know the rest of the story.

WATCH THE VIDEO: Hilarious video reveals what President Obama does when he thinks no-one else is around

EDITORS NOTE: This column originally appeared on The Peoples Cube.

Islam’s Struggle Against Cartoon Terrorism Offline

Western terror labs have finally produced a weapon so horrific that it has shaken Islamic world to the core, making over a billion people from Morocco to Indonesia fear for the survival of their freedoms, morals, beliefs, cultures, governments, and the very life itself.

The new weapon of terror, the so-called “Cartoon,” is capable of delivering an equivalent of one million Hiroshima bombs, resulting in a horrendous mass destruction like none seen on Earth before.Ahmed Jihad of the Qatar-funded charity Make Bombs, Not Cartoons sadly stated that “This is the end of a tenuous peace between Muslims and Infidels, with only the occasional beheading, open market suicide bomb, or fiery suicide plane mission.”

Howard Dean and John Kerry launch investigation to determine the extent to  which Bush knew about the cartoons prior to their publication.

“I see no way to combat this horrific infidel weapon other than by balanced, fair, and rational hostage-taking, bomb-throwing, and embassy-burning, based on strict Islamic law and mutual understanding of our common goal, which is the Islamization of Earth,” Mr. Jihad added. “These methods have proven efficient in dealing with the West in the past.”Qatar, Yemen, Saudi Arabia, and Iran have been clandestinely working on the “Mother of All Erasers,” in an attempt to control the budding menace of cartoon proliferation.

“You can kill one infidel with a sword, but if he has already published a Mohammed cartoon, the cat is out of the fire, so to speak. With our new eraser technology, we may stand a chance at eliminating the cartoons before the damage is done,” said Rabid Habibi, a member of People for the Unethical Treatment of Infidels.

People for the Unethical Treatment of Infidels: Stop cartoon proliferation before it destroys this wonderful green planet. of ours!

French, German, and U.K. politicians have already promised to deliver any wayward cartoonists to the proper authorities for beheading.

Said English foreign secretary Jack Straw, “We stand with our Islamist brethren on the precipice of an escalation from the current calm discourse to a world in which cartoons are free to offend willy-nilly, resulting in the need for retaliation against infidels on a broad scale. We in the West understand this, and will do our part to maintain the peace.”

In the U.S., Howard Dean and John Kerry plan to hold special hearings on the matter, and are proposing a bill criminalizing the depiction of all Islamic religious figures.

A probe is underway to determine the extent to which the Bush Administration knew about these cartoons prior to their publication.