Tag Archive for: Hollywood

Majority of Americans Disapprove of Disney’s LGBT Agenda

Once the go-to brand for children’s entertainment, Disney’s popularity is cratering as the House of Mouse continues promoting the LGBT agenda. According to the latest Rasmussen Reports national survey, 71% of American adults agree that Disney “should return to wholesome programming and allow parents to decide when their children are taught about sexuality.”

Rasmussen cited Disney executive Karey Burke, president of Disney’s General Entertainment Content, who bragged on a conference call in 2022 about being “a mother of two queer children … one transgender child and one pansexual child …” Burke also boasted that Disney has introduced “many, many, many LGBTQIA characters in our stories.” According to Rasmussen, over half (54%) of American adults believe such programming and content is “inappropriate” for children under the age of 12.

Additionally, the brand’s popularity is underwater. Only 46% of Americans polled hold a favorable view of Disney, while 45% do not. This is down from Disney’s 51% favorability rating late last year. Perhaps unsurprisingly, the majority of Disney’s support comes from Democrats. Almost two thirds (63%) of Democrats hold a favorable view of the media giant, compared to only 33% of Republicans and 36% of Independent voters.

Half of Democrats approve of programming featuring “many, many, many LGBTQIA characters” for children under the age of 12, compared to only 21% of Republicans and 24% of Independent voters. Rasmussen also noted, “More men (57%) than women (51%) believe stories featuring gay characters are not appropriate for children under 12, and men are also more likely than women to agree that Disney should go back to wholesome programming.”

Joseph Backholm, senior fellow for Biblical Worldview at Family Research Council, commented to The Washington Stand, “Teaching values in media isn’t a new idea. … The innovation Disney has made in recent years is to teach a new morality.” He continued, “Disney sincerely believes teaching children to love sensuality and embrace self-created identities rooted in our self-perceptions is a moral good that leads to happiness and human flourishing. The moral problem is that they are wrong. The business problem is that hundreds of millions of Americans disagree with them.”

Backholm added, “What Disney sees as foundational moral truths, many Americans see as deception and perversion. The pushback this survey reveals is not to the idea of moral lessons in movies, but to the specific moral lessons Disney has prioritized.”

Over the past several years, Disney has become increasingly political, throwing its weight behind the LGBT agenda. In 2022, top Disney executives voiced criticism of Florida’s Parental Rights in Education Act, which would, among other things, prohibit teachers from discussing “sexual orientation” and “gender identity” with children in kindergarten through third grade. Disney’s then-CEO Bob Chapek originally maintained that the company would not publicly criticize the legislation but reversed course under pressure from LGBT lobbyists both within Disney and outside it. From there, LGBT content in Disney productions increased, including the first ever depiction of same-sex activity in a Pixar film.

In leaked video conferences Disney organized for employees during the Parental Rights in Education Act controversy, executives openly discussed promoting LGBT content to children. Executive Producer Latoya Raveneau expressed her gratitude that Disney’s leadership “has been so welcoming to like, my like, not-at-all secret gay agenda.” Referring to the Disney Channel show she produces, Raveneau added, “I don’t have to be afraid to — like, let’s have these two characters kiss in the background. Wherever I could, I was basically adding queerness to the show. If you see anything queer in the show — nobody would stop me and nobody was trying to stop me.”

Another executive, Diversity and Inclusion Manager Vivian Ware, boasted of eliminating “gendered” language from live shows at Disney theme parks, doing away with terms such as “ladies and gentlemen” or “boys and girls,” in order to create “that magical moment” for children who supposedly identify as transgender, non-binary, etc.

Last year, the Catholic League and Meath Television Media released a documentary entitled “Walt’s Disenchanted Kingdom,” exposing what Catholic League President Bill Donohue called the company’s program of “sexual engineering” of children. “They want to go after the little kids,” Donohue said. “As I pointed out in the movie, they just got off their tricycle. And now they’re trying to sexually engineer them.” The documentary, which features interviews with former Disney employees as well as individuals like neurosurgeon Dr. Ben Carson and Family Research Council President Tony Perkins, also addressed Disney’s increasingly vocal stances on political issues and its friendliness with the Chinese Communist Party.

Also last year, after increasing LGBT and progressive content in its productions, Disney faced a $5.5 billion budget cut, resulting in up to 4,000 jobs being eliminated. The company’s market capitalization dropped to a nine-year low and streaming service Disney+ fell nearly one million subscribers short of projected goals. In financial documents, Disney admitted that its LGBT promotion may cost the company money, but indicated no intention of changing its position. More recently, Disney’s stock has fallen by nearly 10% despite Disney+ making a profit for the first time since it was launched in late 2019.


S.A. McCarthy

S.A. McCarthy serves as a news writer at The Washington Stand.


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EDITORS NOTE: This Washington Stand column is republished with permission. All rights reserved. ©2024 Family Research Council.

The Washington Stand is Family Research Council’s outlet for news and commentary from a biblical worldview. The Washington Stand is based in Washington, D.C. and is published by FRC, whose mission is to advance faith, family, and freedom in public policy and the culture from a biblical worldview. We invite you to stand with us by partnering with FRC.

5 Reasons You Must See ‘Sound of Freedom’

UPDATE: Statement by President Donald J. Trump after watching Sound of Freedom.

I really didn’t want to see this movie. Does anyone want to see a movie about horrific crimes against children and the systems that support or fail to stop child sex trafficking? But I felt an obligation to support “Sound of Freedom.” And I was happy to hear the buzz in the conservative media sphere. “Sound of Freedom” was making noise in all the right places.

So I bought my tickets online and told myself that I had at least done my duty to financially support this worthy cause. My seat was sold, and if it went unfilled, the movie theater would still make money. Despite my best efforts to be somewhere else, I found myself in the seat on July 4.

I still don’t quite understand how I left the theater feeling hopeful. I had expected to feel hopeless and disgusted after watching a movie about child sex trafficking. And there were certainly moments of those feelings during the course of the movie. But the power of art to move the human heart is very real, if hard to describe, even after experiencing it.

It’s also hard to describe a movie without spoiling the plot for others. Here are five impressions this movie left on me, and I hope they inspire you to see the movie.

1. “God’s children are not for sale.”

This is the motivation for the main character to move beyond the soul crushing work of tracking organized pedophile networks to rescuing their victims. “Sound of Freedom” made me reflect, once again, on the work we ask others to do in our name: policing, soldiering, guarding. It is hard work, mostly done by men, who lay down their lives to protect and serve others. We ask them to deal with many of the things we do not want to face. Many do this work because of a higher calling, one that needs our support in prayer.

2. “I feel like she’s my daughter.”

Mrs. Tim Ballard texts this message to her husband while he is away searching for a victim. Her love and support for him and his work is beautifully communicated in this movie. She is also asked to bear part of the burden her husband shoulders on our behalf. She represents a much larger group of people who deserve our gratitude and our prayers.

3. “I was that darkness.”

A man contemplates his role as a consumer in the adult sex industry. His redemption from direct involvement is by the grace of God. But this character made me think about what I could or should be doing to address this grave injustice against women and men, girls and boys. At a minimum, opposing the legalization of “sex work” would be a start. Removing pornography and pornographic content from school libraries and curricula is also imperative.

4. “You’re on your own, Tim.”

Government redress of grievances is limited. Tim Ballard, the main character, had to operate on his own to follow the call to protect God’s children. But as Christians we have an obligation to prove that Tim is not alone. Each of us is called to combat the sex industry, whether through promoting organizations like Covenant Eyes that guard against pornography, by speaking out against endeavors to normalize pedophilia, or simply by living a life that upholds the dignity of every male and every female as a human being — not objects for exploitation.

5. “Could you sleep if your child’s bed was empty?”

The plea of a father for his trafficked daughter. This theme was the main reason for my initial reluctance to see the film. And it was one of the reasons why, if I had to see it, I would see it in a theater. Hearing a question like that asked in a movie theater for me is very different from hearing it asked in my living room, with my own children’s beds right upstairs.

There are some movies to see and “leave” at the theater rather than experience them at home. But this movie is one to share with others, at a theater or at your church, or even in your home. While it is not for young children, this movie is a remarkable work of art about a horrific topic. I’m grateful to Angel Studios for distributing the movie, and I encourage you to see it. I am glad I did.


Meg Kilgannon

Meg Kilgannon is Senior Fellow for Education Studies at Family Research Council.


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EDITORS NOTE: This Washington Stand column is republished with permission. All rights reserved. ©2023 Family Research Council.

The Washington Stand is Family Research Council’s outlet for news and commentary from a biblical worldview. The Washington Stand is based in Washington, D.C. and is published by FRC, whose mission is to advance faith, family, and freedom in public policy and the culture from a biblical worldview. We invite you to stand with us by partnering with FRC.

Elle Fanning Says She Lost Out On Movie Role At 16 Because She Was Labelled ‘Unf*ckable’

Famous actress Elle Fanning revealed she lost out on a movie role when she was a young girl because the makers wanted someone more overtly sexualized.

Fanning spoke at The Hollywood Reporter’s annual Comedy Actress Emmy Roundtable in late April and recalled the incident that occurred when she was underage. “I’ve never told this story, but I was trying out for a movie. I didn’t get it,” Fanning said. “I was 16 years old, and a person said, “Oh, she didn’t get the father-daughter road trip comedy because she’s unfuckable.”

Fanning noted that this was a troubling thing for her to hear, and explained that the role she had auditioned for at the time was a father-daughter road trip comedy.

“I didn’t hear from my agents because they wouldn’t tell me things like this — that filtration system is really important because there’s probably a lot more damaging comments that they filtered — but this one got to me,” she said.

The famous actress is all-too-aware of how detrimental that was to her well-being, and how inappropriate that comment was for anyone to hear — let alone a child.

“Yeah, it’s so disgusting. And I can laugh at it now, like, “What a disgusting pig!” she said, adding that “there’s so many stories like this”

“I was always immensely confident, but of course you’re growing up in the public eye, and it’s weird,’ she said.

Fellow actress Sheryl Lee Ralph was stunned to hear the story, yet commented that it was an all-too-familiar occurrence in Hollywood. 

“I liken fame to a machine. You can stand outside of it and look, but once that door opens and you get in, it takes you up on different levels. It’s a different experience,” Ralph said.

“If you don’t have a firm foundation of who you are in this industry, it will eat you up. One day, you might look in the mirror and not know who the hell you’re looking at. I’ve seen that happen over and over,” she said.



Entertainment reporter.

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EDITORS NOTE: This Daily Caller column is republished with permission. ©All rights reserved.

Jesus Revolution Producer: ‘I’ve Never Seen Such a Profound Response to a Movie’

Jon Erwin happened to be doing research for another movie when he stumbled on the iconic cover of Time Magazine from June 21, 1971. A copy in good condition goes for about $2,000 on eBay today, but Jon managed to snatch one up in 2015 — years before his movie made the psychedelic Jesus a collectors’ item. Back then, making a film about the 1970s revival known as The Jesus Revolution was a distant dream. Today, it’s a blockbuster reality — one that continues to exceed everyone’s expectations, in the box office and real life.

The news that “Jesus Revolution” crossed the $39 million mark this past weekend may have been a shock to Hollywood, but to Erwin — the movie’s writer, producer, and director — it was further proof that he’d happened upon something special eight years ago. He’d been working on another true story, “Woodlawn,” when he was “awestruck” by the parallels between the hippie movement’s desperation and the desperation of today.

“I’m a filmmaker. I’m curious by nature,” he told Family Research Council President Tony Perkins on “Washington Watch.” “And so I read this article. At the time, you couldn’t find it online. It was this 10-page spread about what God was doing at an incredibly similar time of hopelessness and despair. … And the more I read, the more I felt: Can this happen in my generation? Can this happen in my life?” At 40, Jon said, “nothing like this has ever happened to us.” “And the more I studied it the more I wanted to make a movie.”

Erwin was set to make “I Can Only Imagine” next, based on MercyMe lead singer Bart Millard, with other true stories like “I Still Believe” (Jeremy Camp) and “American Underdog” (Kurt Warner) on the horizon. Carving out time for another project was tricky. By the time “Jesus Revolution” was released, it was the longest he’d ever worked on a movie.

But in the end, Jon pointed out, it was a testament to “God’s perfect timing.” “That the movie came out as revivals are happening around the nation is so cool. And I love all the movies that we’ve gotten to make, but I’ve never seen such an incredibly profound response to a movie and, and lives changed as people watch it. So it’s a privilege to get to bring this movie to the screen.”

A stellar cast, led by Kelsey Grammar (“Fraser”) and Jonathan Roumie (“The Chosen”), team up to reach a 70s generation that’s trying to find meaning in sex, drugs, and rock and roll. Despite his initial reluctance, Pastor Chuck Smith’s (Grammar) stodgy church is overtaken by barefoot hippies who follow evangelist Lonnie Frisbee’s (Roumie) invitation to stop searching and give their lives to Jesus.

The movement explodes, packing out Southern California’s Calvary Chapel and eventually moving to a big white tent where thousands come to know Christ, including Greg Laurie (Joel Courtney), who wrote the book the movie is based on. Laurie’s incredible story, from a tragic childhood to a spiritual awakening that led him to found Harvest Christian Fellowship, has resonated with audiences and critics (who gave the film an A+ CinemaScore rating).

For Erwin, one day in particular stood out. “[It was] by far the favorite moment I’ve had on set — and I think you feel it in the movie. You know,” he told Perkins, “it takes several miracles to make a movie. But I’ve never felt a day like the day we shot the baptisms in this movie. We thought it was very important to go back to the real Pirate’s Cove [where Smith and Frisbee baptized so many people]. And we did. And for a film, that is a very difficult place to go. It’s like a crater, very jagged rocks. You have to go up and over to get onto that location. … [But] I’ve never felt anything like it. We all felt it that day. There was a level of spiritual power there that I’ve never experienced in my filmmaking career before.”

At one point, they were filming with about 400 extras, and Roumie “came up out of the water and said, ‘This is real for people. … People are coming up to me and saying, I want to be baptized for real. I’ve just made a decision for Christ.’”

While they were shooting the part with actor Joel Courtney in the water, Jon said he was stunned to find out that “the real Greg Laurie was baptizing a member of the cast that he had struck up a conversation with a couple hundred feet away and none of us even knew [about it]. … I think you feel it when you watch the movie. But the power that is in the movie we felt on that day.”

Grammer, arguably the most well-known cast member, hasn’t been shy since the film’s release about the role faith plays in his life. “I’ve had some tragic times,” he admitted in an interview with USA Today. “I’ve wrestled with those and worked my way through them — sometimes rejecting faith, sometimes rejecting God even… But I have come to terms with it and found great peace in my faith and in Jesus.” If Hollywood doesn’t like it, Grammar shrugs. “It’s not cavalier — Jesus made a difference in my life. That’s not anything I’ll apologize for.”

In the meantime, Erwin still marvels at the impact the film is having. He’s seen videos of people praying outside the movie, or getting baptized in fountains outside the theaters — or in lakes the next day. “Not many people know this,” he told Perkins, “but 1972, which was the culminating year of the Jesus Movement was the most baptisms ever recorded in a single year, at least by the Southern Baptists. So wouldn’t it be cool if that happened again and we beat that record?”


Suzanne Bowdey

Suzanne Bowdey serves as editorial director and senior writer at The Washington Stand.


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EDITORS NOTE: This Washington Stand column is republished with permission. All rights reserved. ©2023 Family Research Council

The Washington Stand is Family Research Council’s outlet for news and commentary from a biblical worldview. The Washington Stand is based in Washington, D.C. and is published by FRC, whose mission is to advance faith, family, and freedom in public policy and the culture from a biblical worldview. We invite you to stand with us by partnering with FRC.

New Documentary Sheds Light on Disney’s Sexual Engineering

A new documentary on the Walt Disney Company is making crystal clear how the once family-friendly company is today one of the most serious peddlers of radical ideology in America.

Released last week by the Catholic League, “Walt’s Disenchanted Kingdom” is a 50-minute film that highlights how Disney went from entertaining and inspiring kids to indoctrinating and grooming them as it embraces and advances the radical agenda of a very small yet vocal minority that even a growing number of liberals feel have gone too far.

“They want to go after the little kids,” Catholic League President Bill Donohue said during an interview Tuesday on “Washington Watch with Tony Perkins.” “As I pointed out in the movie, they just got off their tricycle. And now they’re trying to sexually engineer them.”

The idea for the documentary came after Donohue and Family Research Council President Tony Perkins were unable to arrange a meeting with then-Disney CEO Bob Chapek to speak on behalf of conservative Catholics and evangelicals in America amid the tumult over Florida’s Parental Rights in Education bill last year.

Opponents of the legislation labeled it the “Don’t Say Gay” bill because it prohibits classroom “instruction by school personnel or third parties on sexual orientation or gender identity … in kindergarten through grade 3 or in a manner that is not age appropriate or developmentally appropriate for students in accordance with state standards.”

More broadly, the legislation reinforces the fundamental right of parents to make decisions regarding the upbringing and control of their children.

Though Disney initially chose not to take a public stance on the bill, its CEO later condemned the legislation following an outcry from pro-LGBTQ+ activists.

“You listened to one side. Will you listen to our side?” Donohue recalled asking Chapek, paraphrasing his joint letter with Perkins to the Disney CEO. “I’m a Catholic leader. Tony’s an evangelical leader. We represent a good swath of the country.”

“Well, they blew us off,” Donohue said.

So Donohue ran with the idea of a documentary, enlisting Jason Killian Meath, CEO of Meath Television Media LLC, who wrote and directed the film. They also brought in an all-star cast, including Perkins, renowned neurosurgeon Dr. Ben Carson, conservative columnist Miranda Devine, media watchdog Brent Bozell, entrepreneur Vivek Ramaswamy, Jewish activist David Horowitz, film critic Christian Toto, media personality Will Witt, and conservative political commentator Mercedes Schlapp, who hosted the documentary.

“I want to get the word out — to disseminate it to Christians and to observant Jews, Muslims, Mormons, people of no faith, people who are concerned this has gone too far,” Donohue said.

“I also would like to persuade at least some of the shareholders and other people at Disney to say, ‘Wait a minute! Maybe we have gone too far.’ ‘Can we get back to our roots?’ ‘Can we have a family-friendly institution?’ ‘Why are we trying to do this to kids?’”

“There are aspects of this movie — when the viewers take a look at it … your head’s going to spin at certain points. But it’s something that needs to be said,” Donohue said.

Among the concerning revelations about Disney highlighted by the documentary is how members of its entertainment producing teams are injecting “queerness” anywhere and everywhere they can.

“Our leadership over there has been so welcoming to my not-at-all-secret gay agenda,” Disney child programming producer and writer Latoya Raveneau said in leaked virtual meeting footage that is highlighted in the documentary.

“I don’t have to be afraid to like, ‘Let’s have these two characters kiss … in the background,” she said. “I was just wherever I could — just basically adding queerness.”

“No one would stop me,” she recalled.

And with radical gender ideology being thrusted upon children through media and in classrooms at increasingly younger ages, critics of the harmful crusade say there should be no surprise when there is a rise in cases of gender dysphoria — the clinical term describing the conflict some experience when they feel as if their biological sex doesn’t seem to conform with their sense of identity.

“The reason you see gender dysphoria rates now skyrocketing is in part because kids are impressionable,” Ramaswamy points out in the documentary. “They are going to respond to their adults and their cultural leaders in their schools and so it’s no surprise that we are creating the very problem that supposedly the companies like Disney were aiming to solve.”

“And it’s much worse than that,” adds Donohue in the documentary, “because, as we know in these elementary schools, they’re taking kindergartners and first graders, teaching them that they’re ‘gender fluid,’ encouraging them to be chemically castrated, to have puberty blockers — pre-puberty kids — to alter their lives forever.”

“This is an atrocity against children and Disney has allowed itself to become part of it,” he adds.

During his interview with Perkins on Tuesday, Donohue noted that even Erica Anderson, a transgender psychologist who has worked with hundreds of transgender teens, has acknowledged, “This has gone too far. It’s going to get worse. I don’t want any part of it.”

“I’m hoping, at the very least, Disney will tap the brakes and rethink this whole idea of going down the lane of the woke agenda,” Donohue added.

To get the message out, the Catholic League has made the documentary free to view on public platforms such as YouTube and Rumble. It is also accessible on SalemNOW and Amazon Prime.

Notably, on Tuesday, Catholic League was informed that its video has been marked by YouTube as “age-restricted” and not appropriate for viewers under 18. Types of content that is considered “age-restricted” include content with harmful or dangerous activities, nudity and sexually suggestive content, violent or graphic content, content with vulgar language, and content “that endangers the emotional and physical well-being of minors.”

While Donohue noted that the documentary doesn’t contain any of YouTube’s categories of “age-restricted” content, Perkins suggested that it may be in violation of the Left’s terms and conditions.

“You told the truth and you put the information out. Now that violates the terms of the Left these days — when you tell the truth,” Perkins said.

In response, Donohue said, “I couldn’t agree more. And I want to punctuate that. That’s what this is all about. A man can’t become a woman. A woman can’t become a man. We need to tell the truth and stop with the fiction.”


Kenneth Chan is Director of Communications at Family Research Council and serves as an editor at The Washington Stand.

EDITORS NOTE: This Washington Stand column is republished with permission. ©All rights reserved. The Washington Stand is Family Research Council’s outlet for news and commentary from a biblical worldview. The Washington Stand is based in Washington, D.C. and is published by FRC, whose mission is to advance faith, family, and freedom in public policy and the culture from a biblical worldview. We invite you to stand with us by partnering with FRC.

What the Death of Hollywood Means for America

The new entertainment industry will be even more woke.

Peak TV, a stunning era during which Big Tech and traditional studios entered into a furious competition to make a bewildering amount of content, is dead. The 559 scripted shows from last year represent a historic hubris that everyone, especially investors, is recovering from.

That was the year that Netflix announced that it was spending $18 billion on content.

In the aftermath, Netflix lost subscribers for the first time and expects to lose millions more as its stock fell 35%. The dot com giant lost, but so did its rivals. Disney+ lost billions, HBO Max is cutting back programming, and so are most others, including the ‘N’ in the FAANG oligarchy.

Netflix has been humbled, and is shedding woke programming and exploring an ad-supported tier, but the push by Hollywood studios to build rival streaming platforms to those of Netflix and Amazon by investing heavily in original content gated by subscriptions has set a lot of money on fire without achieving platform independence. Everyone lost, but Big Tech still runs the show.

Streaming subscriptions are replacing movie theaters and television networks. And that also means that Silicon Valley is replacing Hollywood. Netflix, Amazon, and Apple demonstrated that they had the capital to dominate the entertainment industry. This isn’t good news for the culture.

While old Hollywood had a reputation for being liberal, many studio bosses and producers were actually fairly conservative and movies were the products of a tug-of-war with more liberal writers, actors and directors. Movies had to be able to play in theaters across the country and serve as broad an audience as possible. Movies of that era might be homogenized, but they were less likely to openly offend or antagonize audiences. Movie stars were expected to at least pretend to lead moral lives and keep industry decadence locked away behind closed doors.

The partnership between Eastern European Jewish immigrant studio bosses who had started out, like Samuel Goldwyn, as a glove salesman, William Fox, a garment industry foreman, the Warner brothers, the children of a shoe repairman, and the much more urbane British and American talent turned the film industry into a cultural touchstone and made its products part of our national identity. Critics rightly pointed to the cultural impoverishment of making movie theaters into the hub of our culture, but they could not have imagined what was to come.

The fall of the studio system overturned the industry’s innate conservatism and while it ended many abuses and unleashed the talent, the end result was that movies became increasingly at odds with the values and morals of the American public. The decline of the networks likewise unleashed cable and then streaming programming that was oriented culturally leftward..

Rather than open up a range of programming targeting untapped segments of the public, Peak TV aimed for the same upscale urban multicultural audiences that the entire industry is aimed at. If the ideal wisdom of the marketplace existed, a world in which untold billions were spent to produce 559 scripted shows, should have produced a wave of conservative programming.

It did not.

The entertainment industry’s programming has been most conservative when control was consolidated by studios and networks. It is least conservative when it is driven by “talent”. Consolidated entertainment has at least tried to make programming for a broader country while industry disintegration has made programming more woke, more radical, and more hateful.

The Netflix revolution, in which endless amounts of investor cash were burned to lure talent, made for some of the some ‘woke’ programming imaginable. At the peak of Peak TV, Netflix had not only successfully mainstreamed radical sexual and gender identity, but was actively pushing sexual content involving children from Cuties to Big Mouth. Freed from a business model other than the dream of endless growth, Netflix burned billions of dollars and our culture.

Wokeness precedes broke-ness. But the story of Peak TV is also one of cultural brokenness.

Netflix pursued original programming by trying to make it as edgy as possible. In response, Hollywood studios revived old intellectual properties and tried to make them edgier with racial recasting, gender-swapping, sexual politics, and general social justice themes. The giant dumpster fire of Netflix was met with a social justice Star Wars, Star Trek, Marvel, and DC. Anything with a known brand or IP was brushed off and given a social justice makeover.

Ghostbusters was rebooted as all-female, Doogie Howser, M.D. was reborn as an Asian girl, The Wonder Years was reimagined with a black family, Magnum P.I. with a Latino star, Party of Five with illegal aliens, and these and countless other examples showed that underneath all the fake wokeness, the industry had run out of original ideas. All Hollywood could do was try to make the old tired ones seem fresh and new with identity politics remakes.

And as Hollywood’s popular culture has become American culture, and for some the quasi-faith of fandom, the decay of the entertainment industry into wokeness has devastated society.

Hollywood has come to consist of the culture championed and consumed by boomers. Succeeding generations have reworked those “intellectual properties” to make them edgier and more political, but have produced few of their own franchises. Of the top ten media franchises dominant in America, only one, Harry Potter, was created by anyone born after 1964. And J.K. Rowling is not American and was predictably canceled for insufficient wokeness.

Hollywood is Joe Biden making TikTok videos. It’s an industry that was once creatively revolutionary, but now only puts on an appearance of aspiring to a political revolution. As long as the revolution doesn’t interfere with its tax credits and Chinese box office. Behind the wokeness is a brutal war between agents, producers, writers, directors, and the new dot com masters of the universe, over fortunes that are both astronomical and on the verge of vanishing.

The entertainment industry was slow to adapt to the internet because it is not inventive and is incapable of innovation. Even its response to Netflix consisted of old studios trying to build their own Netflix. Political radicalism makes dinosaurs seem like they are on the cutting edge. That’s why corporate broke-ness so often follows corporate wokeness. It’s not just that wokeness is bad for business, but it often disguises a much more broken business model underneath.

Hollywood is as tied down by guilds and painstaking rules as any medieval kingdom. All it really has anymore are the intellectual properties mined by greatest generation creators marketing to baby boomers (and in some cases, boomers reworking the pop culture of past generations) that have been passed down to newer generations and laboriously reworked to be more woke.

The internet killed Hollywood, as it did so many other industries, and streaming has become its slow death, accelerated by the boom and bust economics of an unstable country and world.

Cinema made a national propaganda machine possible. The Nazis and Communists both seized on it for that very reason and regime figures like Leni Riefenstahl and Sergei Eisenstein were brilliant, revolutionary, and quite evil. But it was American movies that conquered the world because they fused creative talent with American values. Hollywood is still the only national industry with the production capacity and know-how for a true worldwide reach, but its cultural impact is swiftly becoming negligible as it churns out reworked versions of the same thing.

As Hollywood dies, America and the world will be poorer for it, not for the billion-dollar woke digital cartoon factory that it has become, but for a time when a centralized entertainment industry did not have to be a mass propaganda machine feigning popular support for a regime.

That is exactly what it is now.

Hollywood’s biggest production of the pandemic year was the 2020 Democratic convention which abandoned working-class and riot-scarred Milwaukee for an entertainment industry stream. Stars in a streaming convention propping up a senile reactionary who had outsourced his future to radicals while sidelining the party’s old working-class constituency proved to be the perfect metaphor and epitaph for both the Democrats and for Hollywood.


Daniel Greenfield, a Shillman Journalism Fellow at the Freedom Center, is an investigative journalist and writer focusing on the radical Left and Islamic terrorism.


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Apple Music, Spotify, YouTube host songs calling for beheading over ‘blasphemy’ against Muhammad

EDITORS NOTE: This Jihad Watch column is republished with permission. ©All rights reserved.

TRAILER: Trump vs Hollywood Here!

Documentary filmed during Corona crisis in America with 24 Hollywood stars, musicians, rappers and others of similar stature.

All talking about Donald J. Trump, the 45th president of the United States of America and his impact so far.

Half of the celebrities are pro, the other half are Democrats.

Producer Erbil “Bill” Gunasti and Director Daphne Barak of the Documentary somehow brought so many together with incendiary comments, yet to have a productive dialogue.

Click here to get a sense of what it is. Documentary is released prior to the presidential elections for a sneak view before it is removed until when it will be on most online platforms by December 14th, 2020.


We have set our sights to fight for ONE AMERICA. Unfortunately today, there are two Americas. Divided America is a by-product of domestic and foreign forces but unless Americans talk to one another with common sense this division will never end. Here the goal is to establish a dialogue so that DIVIDED AMERICA can become ONE AMERICA again. We began this task with a two hour long video when we brought together 24 famous Hollywood stars, rappers, musicians, and others from both side of isle. We called it: “Trump vs Hollywood. And they talked, with common sense, like an American would.

©Fighting 4 ONE AMERICA!. All rights reserved.

VIDEOS: Celebrities (Besides Joe Rogan) Who Said Goodbye to California

Joe Rogan is just the latest in a long list of celebrities to say goodbye to La La Land.

California dreaming? Nothing wrong with that. The Golden State has a lot to offer.

California has the fifth largest economy in the world. The San Francisco Bay Area alone has a GDP of $535 billion and ranks 19th in the world in economic activity. The state boasts one of the largest agricultural industries on the planet, producing more grapes, lemons, avocados, peaches, watermelons, and strawberries than any US state.

And let’s not forget movies. They contribute about $50 billion dollars annually to California’s economy—and nearly 2.5 million jobs.

Still, California has its downsides. It has the highest poverty rate in the US. It’s among the most heavily taxed states—the top income tax bracket is 13.3 percent—and is America’s most regulated state, according to the Mercatus Center at George Mason University. Its biggest cities suffer from housing shortages, mass homelessness, and congestion.

And then there’s the whole, er, poop crisis thing.

So while California has a lot to offer, its demographics are beginning to head in the wrong direction. Last year, the state’s population growth hit a historic low. There’s talk of a middle class exodus and the death of Hollywood.

In recent years, there’s even a growing number of celebrities saying goodbye to Golden State, including a big name recently. There’s nothing wrong with people “voting with their feet” to establish residence in freedom-friendly states; it’s one of the beauties of the American system. It does show, however, that high taxes and regulations can result in wealth emigration that drives out a lot of capital that supports local jobs and businesses.

Here’s a list of just a few stars who’ve headed for greener (or at least, not quite so “fertilized”) pastures in recent years.

Fresh off of signing a $100 million deal with Spotify in May, comedian and podcaster Joe Rogan made headlines in July by announcing he and his family were moving to Texas.

Rogan has lived in California more than 25 years. He moved to Los Angeles in 1994 and shortly thereafter began appearing TV shows like News Radio. As recently as 2018 he purchased a new home in Bell Canyon for nearly $5 million. That didn’t stop him from leaving though, and he offered some telling reasons.

“I just want to go somewhere in the center of the country … somewhere where you have a little more freedom,” said Rogan. “When you look at the economic despair, when you look at the homelessness problem that has accelerated radically over the last six, seven, ten years … I think there’s too many people here. I think it’s not tenable.”

To be clear, California’s problems do not stem from its high number of people. Humans are one of the greatest resources on the planet. California’s problems stem more from a political and regulatory system that has stifled growth, accumulated massive debts, and suffers from a bureaucratic climate that renders many cities dysfunctional and virtually unlivable.

But whatever his reasons, it’s clear the move will save Rogan gobs of cash. Texas has zero state income taxes compared to California’s top bracket of 13.3 percent. Apply that rate to $100 million and … well, do the math.

In the fall of 2019, rumors began swirling that Kanye West and wife Kim Kardashian were giving up on California after it was reported that the rapper had purchased a $14 million “monster ranch” in Cody, Wyoming.

The rumors amplified when the couple announced they had closed on another ranch property near Cody—this one 6,713 acres and valued at $14.5 million—and were touring local schools for their children.

The purchases stemmed from West’s desire to move his billion-dollar apparel empire Yeezy to Wyoming, the headquarters of which had already been moved to Cody from Calabasas, California.

During a 2019 interview (26:30 mark in video below), Kanye hinted that he found the Golden State’s regulatory structure stifling and irritating, noting that regulators told him his Star Wars-inspired domes for the homeless violated government codes.

“One of the domes was 10 feet too high,” said West, speaking at the 2019 Fast Company Innovation Festival. “They came and said, ‘You got to take it down.’”

It’s hard to blame an innovator like West for being irritated by red tape. But it probably wasn’t his only reason for leaving.

“Kimye” stand to save a bundle if they live more than 183 days a year in Wyoming. Reports estimate the West paid some $15 million in state income taxes in 2018 alone.

The Cowboy State, on the other hand, has zero state income taxes.

Chris Hemsworth is today one of the biggest stars in Hollywood, even though he no longer lives there. In 2015, the same year Avengers: Age of Ultron was released, the Australian-born actor announced he was moving back Down Under with his family, since he no longer had to be in Hollywood to land movie roles.

‘We were in LA for six or seven years and then once we got the opportunity not to be there full-time, it was good to get back to Australia,” said Hemsworth. “And it’s great. Quiet, coastal town – [it] couldn’t be further from Hollywood, which is nice.”

Quiet. Coastal. And far from Hollywood. The perfect place for Thor Odinson to retire after his battles with Thanos.

Matthew McConaughey took home an Oscar in 2014 for his role as Ron Woodroof in the 2013 biographical drama The Dallas Buyers Club, but by that time the Dazed and Confused actor had already sold most if not all of his homes in the Hollywood Hills.

McConaughey and wife Camila Alves, married in 2012, have lived in Austin, Texas for years with their three children. McConaughey, who was born in Texas, in 2015 joined the faculty of the University of Texas at Austin where he works as an instructor in the department of radio, television and film at the Moody College of Communication.

Rumor has it McConaughey is even considering a run for governor of the Lone Star State in 2022. We don’t know McConaughey’s politics—he keeps his views famously close to the vest—but based on some of his comments following the 2016 election, odds are he’ll have a better chance in Texas than California.

One of Hollywood’s most famous power couples, Ryan Reynolds and Blake Lively don’t actually live in Hollywood. Though Reynolds and his first wife Scarlet Johannson were California residents—Reynolds filed for divorse in Los Angeles in 2010—the Green Lantern stars (sorry to bring that one up) decided Hollywood wasn’t where they wanted to raise their family.

In 2012, the same year the couple married, Lively and Reynolds purchased a $5.7 million home near Bedford, New York. Nestled on 11.65 acres, the colonial-style mansion reportedly is 8,000 square feet and has seven bedrooms and six bathrooms. The property even comes with a barn.

Taxes in New York aren’t much better than California, but the couple seems to have found a beautiful place to raise their three children. Reports say they have made quite an impression on the community.

“[L]ocals describe them as extremely nice and well-liked,” E! News reported. “They have a bit of a routine around town that can only be described as, well, idyllic.”

Nicole Kidman and Keith Urban didn’t exactly leave California. They still keep a home there, a $4.7 million mansion in Beverly Hills purchased in 2008. But the couple, married in 2006, seems to collect homes the way other people collect stamps.

There are the two homes in Australia: a $6.5 million farm in Bunya Hill and a penthouse in Sydney.

There’s the mansion in Nashville the couple purchased for $3.4 million in 2008.

And let’s not forget the $10 million Manhattan condo the Days of Thunder and country music start purchased in 2010.

Despite their many dwellings, the couple has called Nashville, Tennessee their home for years. And that’s a smart move financially speaking. The Volunteer State has a zero percent income tax rate, which went a long way toward allowing the couple to accrue an aggregate net worth estimated at $325 million.


Jon Miltimore

Jonathan Miltimore is the Managing Editor of FEE.org. His writing/reporting has been the subject of articles in TIME magazine, The Wall Street Journal, CNN, Forbes, Fox News, and the Star Tribune. Bylines: The Washington Times, MSN.com, The Washington Examiner, The Daily Caller, The Federalist, the Epoch Times. He previously served in editorial roles at The History Channel magazine, Intellectual Takeout, and Scout. He is an alumni of the Institute for Humane Studies journalism program, a former reporter for the Panama City News Herald, and served as an intern in the speechwriting department of George W. Bush.

EDITORS NOTE: This FEE column is republished with permission. ©All rights reserved.

WATCH: George Orwell’s Movie ‘1984’ to Understand What is Happening In America Today!

thetrendsvideos published the full version of a film based upon George Orwell’s book “1984” with the following commentary:

1984 is a 1956 film loosely based on the novel of the same name by George Orwell. This is the first cinema rendition of the story, directed by Michael Anderson, and starring Edmond O’Brien. Also starring are Donald Pleasence, Jan Sterling, and Michael Redgrave. Pleasence also appeared in the 1954 television version of the film, playing the character of Syme, which in the film was amalgamated with that of Parsons. O’Brien, the antagonist, was renamed “O’Connor,” possibly to avoid confusion with lead actor Edmond O’Brien.

After the customary distributor agreement expired, the film was withdrawn from the theatrical and TV distribution channels by Orwell’s estate and was not legally obtainable for many years Eric Arthur Blair (25 June 1903 — 21 January 1950), known by his pen name George Orwell, was an English novelist, essayist, journalist and critic. His work is marked by lucid prose, awareness of social injustice, opposition to totalitarianism and commitment to democratic socialism.

Commonly ranked as one of the most influential English writers of the 20th century and as one of the most important chroniclers of English culture of his generation, Orwell wrote literary criticism, poetry, fiction and polemical journalism. He is best known for the dystopian novel Nineteen Eighty-Four (1949) and the allegorical novella Animal Farm (1945), which together (as of 2009) have sold more copies than any two books by any other 20th-century author.

His book Homage to Catalonia (1938), an account of his experiences in the Spanish Civil War, is widely acclaimed, as are his numerous essays on politics, literature, language, and culture. In 2008, The Times ranked him second on a list of “The 50 greatest British writers since 1945”.[6] Orwell’s work continues to influence popular and political culture, and the term Orwellian — descriptive of totalitarian or authoritarian social practices — has entered the language together with several of his neologisms, including Cold War, Big Brother, thought police, Room 101, doublethink, and thoughtcrime.

WATCH: “1984.”

©All rights reserved.

Sabo Strikes Again: Three Billboards Outside Hollywood, California

A conservative artist that goes by the name of Sabo hijacked three billboards in Hollywood on Wednesday to put up signs calling out the industry’s sexual harassment scandals.

With a nod to the Oscar nominated film “Three Billboards Outside Ebbing, Missouri,” the artist erected three giant signs to cover the existing ads. The large red and black overlays went after people in the entertainment industry who allegedly knew and did nothing about the alleged sexual misconduct of Harvey Weinstein and others, according to The Hollywood Reporter.

“And the Oscar for biggest pedophile goes to…” a screenshot of one of the signs read.

In a second post, Sabo tweeted a screen shot of another billboard that read, “We all knew and still no arrests.”

And finally a third screenshot of his artwork read, “Name names on stage or shut the hell up!”

Last month, posters featuring Harvey Weinstein and Seth Myers with the words “We All Knew” appeared in Hollywood ahead of the Golden Globes. The artist talked about the posters and why he did it in a Vice interview.

“This is awards season,” Sabo explained. “There’s no reason for me not to hit the Oscars and the Grammys and all those other fucking award shows. It’s basically them just patting themselves on the back.”



Katie Jerkovich

Katie Jerkovich

Entertainment Reporter

EDITORS NOTE: Content created by The Daily Caller News Foundation is available without charge to any eligible news publisher that can provide a large audience. For licensing opportunities for this original content, email licensing@dailycallernewsfoundation.org.

Under Totalitarian Islamic Sharia Law, Weinstein Could Walk

The Harvey Weinstein exposé has opened a can of worms. The news is filled on a daily basis about sexual abuse and harassment in the workplace. If the West were ruled by Sharia, however, it would likely not be in the news. First, under strict Sharia, women would not be in the workplace if men were there. No women, no groping.

Furthermore, there would be no rape to report. Why? Under Sharia, rape can only be proven if there are four male witnesses. If a man rapes a women in private, no witnesses, no problem. But wait.  Can’t the woman report the crime? Yes she can, but in a Sharia court, her testimony has only half the value of a male witness. Result? No conviction.

There is another reason that there would be no news about sexual abuse in the workplace. Under Sharia, a woman is seen as the cause of the molestation. She is so attractive to a man that he can’t control himself. She is the perpetrator. The man is the victim.

Conclusion? Sharia could solve the problem of these news headlines, but at the cost of inhumanity towards women.

Totalitarian Islam

Mohammed practiced totalitarianism. All people around him had to submit to his demands. After Arabia submitted, Mohammed left Arabia and began his mission to have Sharia rule the world. Just as in the year 632, after Islam enters a society, over time, the society becomes totally Islamic. This is totalitarianism.


Political Islam, a totalitarian doctrine

The True History of Muslim Conquests

The Rampant Racists of Tinsel Town by Ivan Betinov


Graphic by Navigator.

It’s official, movie fans: all of the cinema celebrities, heretofore the paragons of Progressive thought, are actually a sinister conspiracy of racists.

For the SECOND year in a row, not a single actress actor performer of color was nominated for ANY of the top slots in the Oscars. This can obviously be due to ONLY one thing: RACISM!

Of the some 2,900 films released in 2015, only eight were nominated. And not one of those eight were primarily about Black topics or starred black actors in the lead. This means that some TWO THOUSAND EIGHT HUNDRED AND NINETY-TWO films were denied nomination. And the ONLY cause a film can be denied nomination is RACISM!

There are over 7,000 members of the Academy of Motion Picture Arts and Sciences. Twenty performers were nominated, total, for best actor or actress, or supporting actor or actress. Not ONE of them is an actor or actress of color. That means that THOUSANDS of actors and actresses DID NOT RECEIVE A NOMINATION for these awards. And the only reason an actor or actress can be denied a nomination is RACISM!

The only possible way to remedy this situation is to mandate that at least one out of every three nominations goes to a person of color, and that at least one award in each category go to one of the nominees of color.

This mandated win will affirm that black actors, actresses, and film makers will know that their peers truly respect their talent on the basis solely of their race, as that is the important thing.

EDITORS NOTE: This political satire originally appeared on The Peoples Cube.

Obama Executive Order bans guns in all films – Quentin Tarantino and the Islamic State respond

President Obama will sign an Executive Order to add additional federal controls impacting the use, ownership, sale and transfer of guns. A key provision requires doctor’s and healthcare providers report mentally ill patients to the Federal Bureau of Investigation. Politico’s David Pittman reports:

Delivering on its promise to deliver “common sense” gun control, the Obama administration on Monday finalized a rule that enables health care providers to report the names of mentally ill patients to an FBI firearms background check system.

Read more.

California doctors and healthcare providers have begun reporting the names of numerous Hollywood producers, directors, actors and actresses to the FBI. Among those being reported to the FBI are: Hans Solo, Kylo Ren, Quentin Tarantino, Daniel Craig, and the entire staff of Marvel Studios. The growing list reads like a who’s who of the Hollywood elite.


Screen Actors Guild President Ken Howard.

Screen Actors Guild President Ken Howard and the American Federation of Television and Radio Artists (AFTRA) President Roberta Reardon in a joint press release state:

After all of the money we have donated to President Obama, Hillary Clinton and the Democratic party this un-Constitutional action clearly discriminates against our members. It is racist and Hollywood-phobic. Our members now have a target on their backs, no pun intended.

We have joined with the ACLU to file a lawsuit with the 9th Circuit of Appeals asking for a stay of President Obama’s Executive Order.

This action will take guns, light sabers, samurai swords, knives and other weapons of violence off the silver screen. What would John Wayne say about being disarmed? This action will destroy the biggest draw to our movie theaters –  non-linear story-lines, satirical subject matter, and the anesthetization to gun violence.

We’re talking about taking food out of the mouths of our membership. How will they feed their families, some have more than one, if guns are taken off the table, no pun intended.

Quentin Tarantino interviewed on the set of his next film “8 Guns, 9 Guns, and More Guns” in a brief statement said, “What the (expletive deleted) does Obama think he’s doing?” Tarantino is considering changing the title of his film to “8 Bananas, 9 Bananas, and More Bananas.”

Mohammed M. Mohammed, Islamic State Bureau of Muslim Arts and Film Making spokes person.

The Islamic State Bureau of Muslim Arts and Film Making issued a statement. Mohammed M. Mohammed, their 9-year old spokes person, at the site of the newest Islamic State YouTube video “Beheading the Easy Way or How to Stab a Jew”, stated:

Jews control Hollywood. By the grace of Mohammed, may peace be upon him, Obama has now disarmed our Zionist enemies in Hollywood. We welcome the news of President Obama’s Executive Order. It is now time to disarm non-Muslims, all of whom are suffering from mental illness.

As Muslims we are not bound by President Obama’s Executive Order as we are the world’s only sane people because we follow the Prophet Mohammed, may peace be upon him, and Muslim law which requires us to stab the non-believers.

As the only “religion of peace”, we, the soldiers of the Islamic State, can now expand the slaughter of all non-believers (infidels) in California from San Bernardino to Hollywood and beyond.

It it time to put an end to the fornication and violence we see coming out of the likes of Tarantino, Marvel Studios and their Jewish backers.

black girl with guns

A Trump supporter sent us this photo of how she feels about gun control. A picture is worth a thousand words. Photo: Facebook.

CNN’s Eugene Scott and Tom LoBianco report:

Donald Trump on Saturday vowed to “unsign” President Barack Obama’s plans to tighten gun control via executive action, telling a packed rally in Biloxi, Mississippi, that he would protect the right to bear arms.

“There’s an assault on the Second Amendment. You know Obama’s going to do an executive order and really knock the hell out of it,” Trump said. “You know, the system’s supposed to be you get the Democrats, you get the Republicans, and you make deals. He can’t do that. He can’t do that. So he’s going to sign another executive order having to do with the Second Amendment, having to do with guns. I will veto. I will unsign that so fast.”

Watch the video and read more.

RELATED ARTICLE: America Doesn’t Have a Gun Problem, It Has a Democrat Problem

RELATED VIDEO:  Trump train still running strong:

EDITORS NOTE: This political satire column originally appeared in the Not Hollywood Reporter and Americans without a Rifle magazine.

Hollywood: Director’s Son Converts to Islam — Stars in al-Qaeda Videos

When Lucas Kinney converted to Islam and became Abu Basir al-Britani, it is likely that his parents didn’t raise the slightest objection, as they were almost certainly sure that Islam was a religion of peace and that to object to the conversion would have violated all multicultural pieties.

While the Islamic State and al-Qaeda make concerted efforts to convert and recruit young Westerners, Western governments, Christian leaders, and parents do absolutely nothing to counter those efforts — to do anything would be “Islamophobic.” And so we will see many more Abu Basir al-Britanis.

Also: here we see yet another convert to Islam joining the jihad that Muslims in the West ostensibly reject and oppose. Who converted him to Islam? Did he learn his understanding of Islam from that person, or was he “radicalized on the Internet”? Are authorities checking into this, or would that, too, be “Islamophobic”?

“EXCLUSIVE: British son of Hollywood movie director, 26, is revealed as bloodthirsty star of al-Qaeda propaganda videos after converting from Catholicism and smuggling himself to Syria,” by Tom Wyke and Neil Sears, Daily Mail, October 18, 2015 (thanks to Michael):

The white British son of a film director has converted from Catholicism to Islam and become an al-Qaeda fighter in Syria, the MailOnline can reveal.

Lucas Kinney, 26, has become a figurehead for the jihadis – appearing in online propaganda videos designed to encourage new recruits to sign up.

The first white British convert to emerge in Syria, as a Home Counties schoolboy he took holy communion at a Roman Catholic church and attended Catholic primary and secondary schools. As a teenager, he even spoke of being a priest.

His father Patrick, 59, worked closely with Steven Spielberg on films including Indiana Jones And The Last Crusade and was assistant director on a long series of blockbusters.

Mother Deborah Phipps, 53, who was divorced from Lucas’s father when he was still at primary school, told yesterday of her dread that her son will be the next Briton killed by a RAF drone strike or in a Russian bombardment, and her fears that he might become a suicide bomber.

Mrs Phipps, who receives occasional emails from her son, is at a loss to explain how he went from a bright, normal teenager to a Muslim fanatic.

After leaving school he attended Leeds University but dropped out after a year. He played in a series of rock bands then went to live with his father in Vienna. It was there that he is believed to have been radicalised.

He is now a figurehead of the Syrian al-Qaeda-linked group Jabhat al-Nusra, and has starred in two propaganda videos posted online under the nom de guerre Abu Basir al-Britani….

Mrs Phipps said: ‘Lucas is a target. I’m glad he’s associated with al-Qaeda rather than IS, but obviously I worry.

‘On Mother’s Day last year I spoke to his father and he told me he thought our son was dead because there was a picture of him on the internet lying on a bed in Syria and you couldn’t tell if he was alive.

‘Later that day we found out he wasn’t dead but was seriously injured. He’d been struck by a mortar so his arm basically was hanging off. He had to have a big operation and he said he wouldn’t be able to fight for about 18 months.

‘I last heard from him recently. I don’t get anything for months and months and then all of a sudden I get an email and every time I think, ‘Well, at least he’s still alive’. That’s the relief.

‘He’s married out there. I don’t know anything about her. They don’t have any children as far as I know, but this is recent, the last few months.

‘We just want him to come home. If he’s done something wrong I’d like him to accept the consequences. He’s still young – and at least he’s still alive.’

Most British jihadis in Syria are born Muslims of overseas descent – but the existence of a white convert only emerged online several months ago in the two Jabhat al-Nusra videos presented by ‘Abu Basir al-Britani’. Not until today has he been exposed as Lucas Kinney.

Bespectacled, calm and well-spoken, he sounds very much England-born as he talks about the atrocities being carried out by Jabhat al-Nusra’s rivals ISIS. Both films are journalistic in style in contrast to the crude attempts at visual terror in IS videos.

One of Kinney’s professionally produced videos is entitled ‘So the Way of the Criminals Will Become Clear’.

In it, he visits the scene of an IS attack on a mosque in a Jabhat al-Nusra area of Syria, but adds with the faith of a fervent convert that the ‘good thing’ for his murdered ‘brothers’ is that ‘Allah chose to take them in a very good time. He gave them an honourable death’.

Referring to Islamic State, Kinney says the group ‘is not deserving of that name’.

His broadcasts are designed to encourage other Britons to join his al-Qaeda group in Syria, a criminal offence in Britain.

Some observers mocked him, with ‘Don’t forget your toothbrush’ jibes after they noted that in one video, while Kinney had an AK-47 over his shoulder, there was a green and white toothbrush tucked in amid the ammo in his military webbing.

Kinney, who has a younger brother and sister, was born in Hammersmith, West London, in 1989 to his CofE British mother and his British/American Roman Catholic father.

His father Patrick, son of a United Nations diplomat, started his movie career as an assistant director on the film 1984, and progressed through one of the Rambo films, Out Of Africa and Cry Freedom to working alongside Spielberg on Empire Of The Sun and Indiana Jones And The Last Crusade.

In addition to working on numerous other films and ITV police drama series The Bill, he was second assistant director on Braveheart and Chaplin.

The family settled initially in a modern detached house in the Home Counties. Kinney followed his father to the local church and, said his mother, attended both the linked primary school and nearby Catholic secondary.

After a few years his parents divorced, his father moved to Florida alone, and his mother remarried, to an airline manager.

When Kinney’s stepfather got a three-year posting to Saudi Arabia the whole family moved there.

They feared evacuation because they arrived only days before September 11, 2001 – the moment when al-Qaeda launched itself on the world by bringing down the World Trade Centre.

When fears calmed they stayed, and after private English schooling in Saudi Arabia, the family went on to Egypt. Kinney was placed at the elite private Modern English School in Cairo, and performed in numerous school plays.

He grew his hair long, dyeing it red, and formed and played electric guitar in a series of rock bands, one called Hannah’s Got Herpes. He also posted pictures of scantily clad girls on Facebook. In Cairo he gained International GCSEs and then three A-levels including music and art.

He then lived briefly with his father in a Vienna flat during a gap year before beginning a Middle Eastern Studies with Arabic course at Leeds University in 2009.

After a year he dropped out, and returned to live with his father in Vienna. It is there he is thought to have become a Muslim convert.

Mrs Phipps said: ‘Lucas’s father Patrick is a Catholic and Lucas is Catholic – he did Holy Communion and everything. At one stage, when he was 12 or 13, he wanted to be a priest.

‘He’s very bright, very talented, very musical, very artistic, good at anything creative. But he was always still looking for something, some sort of direction.

‘In Cairo he was very social, had lots of friends, and was very easy going. He was in bands and behaved like a typical teenager. I wasn’t particularly worried about him.

‘He didn’t become a Muslim then. He liked pop music, all the school productions he was in, a performer basically. He used to do battle of the bands as well because he played guitar a lot.’

She added that while Kinney was in Vienna with his father, she and her husband moved to Islamabad, Pakistan, leaving her two youngest in UK boarding schools, for her second husband’s job with BA – but again were rocked by terror just after arriving.

al-Qaeda was blamed for killing 56 with a bomb at the Marriott hotel in Islamabad in September 2008. It led to BA suspending flights there, and the family coming straight back to Britain.

Speaking of his year at Leeds, his mother said: ‘I don’t think he became involved in Islam there. He liked drinking and smoking and girls, all the things that basically they can’t do.

‘When Lucas went to Vienna – that was where everything changed. Lucas did not say he was becoming a Muslim, but we used to talk on Skype so we could see him, and obviously you could see he had become a Muslim.

‘His father said, ‘His religion is very important to him’. He had a beard and the robes, it was quite obvious. After a while he moved out to live with friends. We didn’t even really discuss it.’

She was not in touch with him for some time, but then came the sudden Mother’s Day discovery that he was a jihadi in Syria.

Mrs Phipps said: ‘When I found out he was in Syria I said, ‘If I could get on a plane and come out there and bring you back, I would’. But he said, ‘No, that’s not what I want’. They have to want to come back, then maybe you can take steps.

‘A long time ago he said to me, ‘They’re killing Muslims’. He was talking about Assad, the Syrian president. He said, ‘They’re raping women, killing children as well’. I think it’s Assad’s regime, fighting that, that’s taken him there.

‘There are pictures of him on Facebook with guns. I think he possibly would martyr himself – I think he’s mentioned it once a long time ago. And this is another one of our fears, that he would do that.’

Mrs Phipps said her son had never talked of attacking the West, but added: ‘In emails from Syria he kept using koranic phrases and wants everyone to convert.’…

Kinney’s last contact with his mother was short. It featured koranic references and asked after his father’s health….


Video: Robert Spencer speaks at Reagan Ranch Center on Obama, Putin and the Islamic State

Trump boasts he would have prevented 9/11, but dodges Sharia question

Hollywood Filmmaker says Iran Nuke Deal a Very Bad Deal

dan gordon

Captain Dan Gordon, IDF.

Dan Gordon, a Hollywood screen writer and IDF Reserves Captain, is our featured guest on today’s short promotional for the “DAY OF ACTION” in Santa Barbara, California on Sunday Aug 30, 2015.

Dan Gordon is also a successful Hollywood filmmaker and award-winning author. with the unique perspective of living in two countries, America and Israel, has much to say about the very bad Iran nuke deal made by the Obama Administration.


We have TWO amazing events on August 30th!

The first is a Roundtable Luncheon featuring a panel of national and local experts on the Iran Treaty, on the U.S. and Israel and how it will affect Santa Barbara County. Tickets are $60. Sponsorships are available at different levels. A ticket to the lunch gets you a VIP seat at the rally (details below). If you are not able to attend but would like to donate (100% tax-deductible) to help offset to costs of this grassroots effort, it would be appreciated. To purchase tickets, to sponsor or to donate, go to: StopIran.eventbrite.com

After the lunch, there will be a Stop Iran NOW Rally at the Santa Barbara Courthouse Sunken Gardens co-hosted by Stand With Us, The Clarion Project, The United West and other local groups. The rally is FREE and we need as many people as possible to attend. Please forward to your friends, family, neighbors and co-workers. It’s up to US to stop this deal! Signs and flags will be provided.

RELATED ARTICLE: Why Obama’s Wrong: Iran Deal Would Make War More Likely